Assembly
exhibition " Derivatives Financial New Visions." The House On, Madrid, 2006. RESPONSIBILITIES OF DEPUTY
Reflexion No 134-C: To my understanding, the responsibilities of the Commissioner are as provided to the public, society and artists. Always showing a scrupulous respect for the work so as not to modify or incorrect versions of the concept, which happens often for convenience of the exhibition theme. Reflexion
No. 156-C: The responsibility of the commissioner also generate a social work, understanding art as a tool for transformation, reflection for change, for which you should be aware of what happens in the current context and new ways of visualizing and crystallized conflicting structures for questioning. Reflexion
No. 167-C: public has to understand the user, as part of the work, which constitutes it. Equip them with the tools to make this possible and for the understanding of all parts.
ARTIST RESPONSIBILITIES
Reflexion No 145-A: The responsibilities of the artist are offering quality work consistent with it and its context. A work that homogenize both the concept and the formalization of this, that charges the same importance and we do not rediscover "the garlic soup."
Reflexion No. 187-A: The artist has a duty to society and that is something that should not be forgotten when engaged in creating, which is seen most clearly when receiving subsidies or grants for the creation of projects. Reflection
No. 122-A: In this world few of us have home computer, we can take a beer in a bar ... with all these facilities in us lies much of the responsibility to make our projects and work conform to a social function, otherwise we would missed the opportunity to create an art vanal would not be a mockery and disrespect towards our society and especially to people who do not have these possibilities.
several errors that were committed in the curatorial practice
As always one of the most repeated errors in curatorial practice is often the lack of professionalism in the sector, but also there are others. Reflection No. 178-E: Understand the commissioner as Enrichment monetary or curricular level, rather than a social responsibility. Not have to generate exposure for artists, but seek to open them to new audiences. Reflection
No. 152-E: care for the work from the assembly until the end of the exhibition and the reception of the work by the artist, gallery, museum, ... having people who actually watch the works do not suffer any kind of aggression. Many times we find exhibitions where works are not protected and end up injuring, as in much of the works that require interaction by the public. Reflection
No. 134-E: is friendly with the artist as a professional, for the media to the artist, outside and inside the exhibition. Because sometimes it is the artist as a professional in media and the outside, but both in remuneration and in treatment, is far from reality. Reflection
No. 172-E: A mistake made in our time is enough to disregard the budget, infrastructure and maintenance works need different before exposure. In electronic art, for example, is necessary qualified people to the facility of the work, understand its functioning and make a continuous maintenance is not spoiled or vary its operation. Reflection
No. 157-E: The choice of artists, often take precedence over the contacts and friendships before bringing proposals that are actually powerful, either by not complicated by problems with the language of artists, not to deal with galleries or museums that own the book you are looking ,.... And this ends up generating a vicious circle of artists, curators and institutions.
Reflection No. 184-E: Ensuring remuneration for the work of the artist, and have a criterion to determine that compensation or structures shall have the collective of artists or individual artists, and often is usually the same or similar . Reflection
No. 191-E: Also notable is the mistake that many commissioners to make presentations to fluctuations due to the varying quality of the exhibits, often caused by a lack of criteria or the need to fill the exhibition building on works by artists that are more affordable. Although this sometimes happens when there is an attempt by the sheriff of revaluing the work of one of its artists 'colleagues' by comparing it works but not recognized or well appreciated.
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