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Bòlit ROBIN BANC / The scam as a form of protest


On coincidences of life, has now come into my hands a newspaper direct sea, I say direct because, besides having a name linked to the current context, Crisi, appears as number one in 200,000.

And the fact is that what is most striking is the holder:

"els bancs Creus et steal? Descobreix com i com ho fan-li donate the volta" (You think you rob banks? Discover as they do and how to get around?)

And certainly what we promise is what we show, for making use of this publication, such a Enric Duran (also nicknamed Robin Banc) explains how they can expropriate large sums of money from businesses and banks from his own personal experience, since it assures us that

I have "robbed" 492,000 euros to whom most rob us in order to denounce them and build some alternatives for society.

If it was unthinkable 15 years ago was granted a mortgage over 15 or 20 years, this possibility has been expressly doubled, from banks and savings banks, to 35 and 40 year mortgage today. With this simple action, yet perverse, banking has facilitated and led to rising house prices, as increasing debt capacity of individuals, has increased the prices that we are able to pay.

will surprise you've got 492,000 euros with no bank guarantees in the context of credit crunch, but not more than a demonstration of how the banking promotes indebtedness from families above any control and any measure of risk prevention and common sense.

Extract from an interview conducted by Enric Duran Perfil.com

The publication to which we referred in the beginning, says Enric has been paid with money expropriated and the rest was dedicated to raise awareness about the systemic crisis . Those of you interested to read the manifesto of Banc Robin, you can do so by clicking here .



For me, there are several points that are key in this case, the first is that the value of the sociability of the information in this case gives us confidence and accuracy to a story that could safely be a hoax, since from the list of companies / Banks say they have cheated not seeing any type of complaint, subsidized social actions appear as anonymous and in some ways, this all surrounded by an aura of mistrust, as are in need of corroborating information.

Other interesting questions posed to us by this action is to show and demonstrate evidently the crisis we are witnessing show economic systems obsolete, conservative and gaps from which is possible advantage, similar to the vision we have a cracker. It also draws attention to the fact of using the media as a means of unimpeachable veracity.

Either way, an action worthy of being mentioned, although we will have to await the return from exile Enric to learn more about the subject. Enric if you appear in the Caribbean give Curro memories!

Redesign Front Of A House

Where will our grandparents? (Work in progress)


We peers in difficult times, whether you've all heard of the crisis, but it is noted that in the ordinary grandfather.

to the economic crisis in Barcelona we were together a cultural crisis and whether, because of the housing bubble, grandparents and stocks are losing their construction, where you could hear phrases like

- Put more mortar!
- This mixture is badly done!
- This did not happen with Franco!

now are losing their spaces for picnic. We are witnessing the end of cultural centers and will never think that the elderly people without their openings and piscolavis, who hopes one day he was excited noted in the agenda, probably to see the work of a grandchild or some unknown artist that time.

We are witnessing a historic moment, Barcelona, \u200b\u200bwithout a doubt one of the largest English cities with a cultural and social fabric CASM has lost one of their last temples to the exhibition of young artists with innovative proposals.

is interesting to see the role adopted in Catalonia by the civic centers, which in the absence of exhibition spaces have managed to introduce into your program display of these artistic proposals homeless. As a plus, we can say that within the stream of thought that begins to settle in the Netherlands in the late 90's, consider art as a tool with a great educational factor, we can say that the civic centers, designed as spaces learning and social transformation, are a great place and allow the entry of a new type of public often away from an art scene. Although it must be said that in some ways, this welcome from community centers has created a "patch", pretending to leave unresolved aspects of the show, when many times we find that neither the infrastructure nor the budget and the staff are suitable. Because sometimes carried out by inexperienced people, lack of knowledge and therefore without a view, in regard to art.

one hand we have community centers and other museums and right in the middle the largest gaps. The events in Barcelona in recent years with the closure of Metrónom as one of the first great losses, they differ completely from what was experienced in cities such as Madrid, with the creation of a new artistic field where spaces include Slaughterhouse, Conde Duque, policies and proposals as MediaLab_Prado or The House On. It is interesting to make this comparison in order to find explanations to help us reshape the Catalan cultural politics and understand the direction of conductors such as Ferran Barenblit and Manuel Borja-Villel.

Before starting to build new structures in Catalonia, we have to map the terrain in which we are and see if the ground beneath our feet is fertile or not, a swamp where everything tends to sink.

(work in progress)

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artistic director / thoughts on curatorial practice remains

Assembly exhibition " Derivatives Financial New Visions." The House On, Madrid, 2006.

RESPONSIBILITIES OF DEPUTY

Reflexion No 134-C: To my understanding, the responsibilities of the Commissioner are as provided to the public, society and artists. Always showing a scrupulous respect for the work so as not to modify or incorrect versions of the concept, which happens often for convenience of the exhibition theme. Reflexion

No. 156-C: The responsibility of the commissioner also generate a social work, understanding art as a tool for transformation, reflection for change, for which you should be aware of what happens in the current context and new ways of visualizing and crystallized conflicting structures for questioning. Reflexion

No. 167-C: public has to understand the user, as part of the work, which constitutes it. Equip them with the tools to make this possible and for the understanding of all parts.

ARTIST RESPONSIBILITIES

Reflexion No 145-A: The responsibilities of the artist are offering quality work consistent with it and its context. A work that homogenize both the concept and the formalization of this, that charges the same importance and we do not rediscover "the garlic soup."

Reflexion No. 187-A: The artist has a duty to society and that is something that should not be forgotten when engaged in creating, which is seen most clearly when receiving subsidies or grants for the creation of projects. Reflection

No. 122-A: In this world few of us have home computer, we can take a beer in a bar ... with all these facilities in us lies much of the responsibility to make our projects and work conform to a social function, otherwise we would missed the opportunity to create an art vanal would not be a mockery and disrespect towards our society and especially to people who do not have these possibilities.

several errors that were committed in the curatorial practice

As always one of the most repeated errors in curatorial practice is often the lack of professionalism in the sector, but also there are others. Reflection

No. 178-E: Understand the commissioner as Enrichment monetary or curricular level, rather than a social responsibility. Not have to generate exposure for artists, but seek to open them to new audiences. Reflection

No. 152-E: care for the work from the assembly until the end of the exhibition and the reception of the work by the artist, gallery, museum, ... having people who actually watch the works do not suffer any kind of aggression. Many times we find exhibitions where works are not protected and end up injuring, as in much of the works that require interaction by the public. Reflection

No. 134-E: is friendly with the artist as a professional, for the media to the artist, outside and inside the exhibition. Because sometimes it is the artist as a professional in media and the outside, but both in remuneration and in treatment, is far from reality. Reflection

No. 172-E: A mistake made in our time is enough to disregard the budget, infrastructure and maintenance works need different before exposure. In electronic art, for example, is necessary qualified people to the facility of the work, understand its functioning and make a continuous maintenance is not spoiled or vary its operation. Reflection

No. 157-E: The choice of artists, often take precedence over the contacts and friendships before bringing proposals that are actually powerful, either by not complicated by problems with the language of artists, not to deal with galleries or museums that own the book you are looking ,.... And this ends up generating a vicious circle of artists, curators and institutions.

Reflection No. 184-E: Ensuring remuneration for the work of the artist, and have a criterion to determine that compensation or structures shall have the collective of artists or individual artists, and often is usually the same or similar . Reflection

No. 191-E: Also notable is the mistake that many commissioners to make presentations to fluctuations due to the varying quality of the exhibits, often caused by a lack of criteria or the need to fill the exhibition building on works by artists that are more affordable. Although this sometimes happens when there is an attempt by the sheriff of revaluing the work of one of its artists 'colleagues' by comparing it works but not recognized or well appreciated.

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Politonic


"You are my stuffed bear." (www.jamba.es)

One of the most popularized ringtones this year was undoubtedly the famous doll Jamba, the cuddly, smiling Snufi rabbit.

Thanks to the vast impact it has had this Rabbit in the media paradigm of kitsch and a very catchy lyrics, has enough time to create two distinct sides, the lovers of sweet and loving freaks Snufi, and on the opposite side, a large mass of critics who have come to create Anti-fan club Schnuffel.

View the number of people who deny the popular rabbit in the network, has emerged as the representative voice of this group the Anti-Snufi rabbit. The most interesting case is that Jamba has been created by the same creator of Snufi. No doubt this view of the target has an impact on a very good campaign.

Interestingly, this phenomenon also shows the current representation of such idols by virtual population and new ways of co-optation.


"Anti-Snufi." (www.jamba.es)

"Do not forget that a hug a day is probably the best therapy" Schnuffel Snufi

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Wars opened Sunam in wordpress!

opened today
wordpress version of Sunam, a website specifically dedicated to my art projects and articles on contemporary art. Unlike this blog, suname.blogspot.com, which is intended to tutti frutti version of general interest, findings and ramblings.

For all those you want to go you can do it from LINKS or clicking here .